| SOTW:
Episode #62 - Illustrated Steele |
by
Xenos1981 (December 28 2007) |
|
| Typing quickly...The
kids are bound and gagged and locked in the closet, but I can hear them
starting to gnaw their way through the restraints. Illustrated Steele is
the next SOTW!!! Mmmmmmm...Near "walkie-talkie sex" with Mr. Steele...Mmmmmmmm!!!
Crap! Gotta go! They've been watching
Remington with me and they're working on the lock!
Xenos
Mamma Mia!!! Pierce Brosnan...Proof
that God loves us and wants us to be happy! |
by
everglade68 |
|
| I view all the
episodes with an open mind, but I had a hard time warming up to this one
and I just didn't care for this episode. But of course, this episode is
from Season Three, my least favorite Season (I'm not even thinking of Season
Five).
However, I must admit that I liked
a few things about "Illustrated Steele". It was a pleasure to see Laura
so excited about going on vacation with Remington. I don't remember this
type of excitement in any of the other episodes, but I may be wrong.
I loved the back and forth conversation
on the walkie-talkie. It was actually kind of sexy.
My favorite one liner had to be Remington
to Laura "your idea of a vacation is coming back late from lunch". It's
neat that he knows her so well.
The psycho scene along with the music
was pretty good.
The look that Steele gave Laura when
he found out that Mildred was going with him on the skiing trip was just
wonderful.
I also liked Remington's brown coat,
Laura's black coat, and the skiing outfits. And of course, PB with the
red sweater looked awfully good. I wish that I had a quarter, no make that
a dollar since it's not worth what it used to, for every time we all write
that PB looked good.
I disliked several things about this
episode. To begin with I hated the doll face name, as it was yucky seeing
how Laura appeared in the comics. The plot was not a bit of interesting
to me and the co-stars were so unappealing. In fact, Arte was extremely
annoying. I felt nothing when he died and it seemed that neither did Remington
or Laura.
And I hate to say this, but even
the chemistry between Remington and Laura was off. It must have been one
of those days in the RS set and I don't mean just for the writers of the
episode.
The entire episode was just kind
of disappointing.
Isabel |
by
Neneithel |
|
| I've always seen
cartoonists as a bit creepy, so it's rather nice to have an episode showing
one as a murderer and another as an egotistical loon.
I loved the scene with the walkie-talkies,
especially the fact that Steele had equipped himself with all possible
comforts. Laura might have been a little less eager to flirt with him had
she seen his heater.
Can't agree, Isabel, on the lack
of chemistry. One of the scenes I have to force myself not to use in every
single songvid is the "Gaslight" one. Look at the way they look at each
other and tell me there isn't enough chemistry there to blow up the world!
I love so much about this one, level-headed
Laura getting spooked by a house, Steele assuring her it wasn't like Psycho
just before being dramatically proved wrong, Laura's eagerness for a holiday
and Steele's nervousness. Laura even turns his safe fantasy of a group
of people in a ski lodge into a very unsafe scene involving just two people.
Steele exhibits a very good understanding
of Laura, especially when he makes the trip to Aspen a dare. Laura's dress
in the final scene is one of my favourites for her, but they both look
great throughout.
I found the idea of women wanting
to mother Artie very odd. Add an S and I can imagine women eager to smother
him, but then I have always had a low tolerance for creepy blokes who spend
all their time drawing their fantasies.
Laura's claim that her sister took
her to see Psycho when she was four seems very odd. How would a four year
old get in to see a film like that? |
by
picac |
|
| I'm cheating.
We did this last year as part of Underrated Steel and I'm reposting. So
if it sometimes seems as if I'm responding to previous posts that aren't
here, I am. ;)
Illustrated Steele
This is a turning the tables episode
in a couple of respects and that’s the main reason I enjoy it. I usually
always enjoy those. It's not a Top 20 episode but it's not bottom 20 either.
Then I'm not sure I have a bottom 20 -- more like a bottom 3 or so.
Dashing Dave & Dollface are very
1940s private detective noir names – as is the style of the comic strip.
And yikes, those blanks eyes are right out of the Little Orphan Annie playbook.
I agree that Steele’s drawings of them are better than Arte’s – with or
without the creepy dead doll eyes.
As concerns the vacation, Steele
is playing hard to get. He's deliberately provoking Laura's interest by
pretending not to be interested and not believing she'd ever actually go
away with him so why get all excited which is in turn making her more proactive
to prove that she's indeed interested. He's tried the chasing her around
and this time he decided to stand still and see if she'd do the chasing
and she does -- she basically asks herself along and then starts to make
plans.
There's also the neat twist on their
usual roles where Laura is being very protective of the client -- maybe
too much so while Steele is the one that becomes suspicious and won't let
it go.
Arte is too unbelievably puppy dog
eyed/pouty lipped and the fact that all these women fall for his line is
a bit much. But I guess we’re surpassed to see that he brings out some
maternal (sometimes sexual – yikes) feeling in women that makes them want
to protect him. Then again his male editor/publisher is also suckered in.
First Steele thinks it’s open and
shut and then Laura wants to still investigate, then after Kelly is killed
it’s Laura that thinks it’s closed and Steele is suspicious. It’s similar
to one of their earlier episodes Etched in Season One. But here it’s added
to in that Steele is also delaying their trip (one he’s longed for for
years) to do more investigating – questioning witnesses, poking holes in
Arte's story, figuring out who was the real Blaster creator, putting together
a timeline and actually putting off a willing and eager Laura.
And how does Steele know, because
the blue pencil on the panels doesn’t make sense– and how does he know
– he’s had a spot of commercial art training. I love that they used once
again one of their leads talents in the show. Steele knows about commercial
art because once upon a time Pierce was a commercial artist. I’m just wondering
how Steele’s dabbling with commercial art fits in his time line – did it
come before or after boxing, fire breathing, gold prospecting or smuggling?
I love the walkie talkie surveillance
scene– from Steele using their comic strip names and Laura starting to
and then stopping herself – to Steele’s wandering binoculars and convenient
space heater to their little talk about the future scenario at the ski
lodge.
Laura pulls out a movie reference
with the Psycho House (though it’s a stretch to believe that she could
name the studio) and they wind up tumbling down the stairs at the hands
of a woman with a knife just like the detective in the film – although
Laura is lucky to just hurt her foot -- poor Martin Balsam in the film
broke his neck.
This is a rare episode where we get
3 film references -- Psycho, Gaslight and How To Murder Your Wife. I wonder
what the record is in one episode? Yuliya probably has it in Counts Of
Steele on her site. What's even better is that none are tenuous -- they’re
all very appropriate and fitting.
In the end though it sadly turns
out as it always does, they don't go away together though Laura makes sure
to saddle er generously provide him with a chaperon who'll chase off any
ski bunnies er keep him company. Couldn’t she have gone to the lodge and
just sipped hot buttered rum (a tradition but yes it sounds disgusting)
in front of the fire with Mr Steele? Who needs to actually ski? This entire
episode is proof positive that diligence and hard work never pay off –
if Steele had ignored his suspicions and need to tie up details and be
the great Remington Steele he’d have finally prevailed in the vacation
sweepstakes. ;-)
SOTW Archives
http://pbfiles.t35.com/steele/SOTW/sotw-imdb.html |
by
MickeyBoggs |
|
Our second Sakmar/Lenhart
script also has an unusual plot device.
Memorable Stuff
- Very clever opening sequence with
comic art imitating life - or is it the other way around? I like the way
this device is used throughout.
- LOL at Mildred's gracious offer
"If you'd just let me put these on the computer...". Yeah, you and what
army? It would take MONTHS to get all that stuff entered.
- Cute sequence of R&L reading
The Blaster together. Though if it hadn't been pointed out to me, I don't
think I'd have thought of R&L just from looking at Dashing Dave &
Dollface.
- Is Mr. Stubin (at the cartoon
syndicate) a cousin of Ron, the director of the Stanford Alumni Glee Club?!
- Sweet conversation about après
ski in Aspen. Sigh. If only we could have seen them go! Love all the niceties
of home that Mr. Steele brings with him.
- As toy murders go, Raymond's had
an awful lot of blood.
- I like the scene where Mr. Steele
is puzzling over the case, Laura claims it's over and accuses him of cold
feet (regarding the vacation) and he quickly decides to pack up & leave.
- Is it just coincidence that Artie
is referred to as being an "indentured slave" to Raymond and his contract
is for seven years - paralleling the length of contracts of many actors
in series TV?
- Mary Beth Evans will, to me, forever
be sweet Kayla Brady from DOOL so I just laugh to see her playing a murderer.
Character Development
- I'm a little surprised at Laura's
unwillingness to put the agency's files on disc. Nothing says you can't
keep the paperwork too. I thought it was Mr. Steele who didn't like computers.
Laura's used them enough that it shouldn't be an issue. Plus, having the
paperwork on disc would allow them to move older cases to offsite storage
- freeing up space for the newer cases. Though I do chuckle at her "You
hit a wrong button and you bring a whole new meaning to Gone in 60 Seconds".
Movie titles infiltrating everyday speech don't seem all that odd anymore,
do they Miss Holt?
- Mr. Steele's apparent nonchalance
at the Aspen snow report. I love the way he knows that the way to interest
his "impossible challenge" is to give her an "impossible challenge" of
her own.
- Love how Laura responds to the
challenge by producing the airline tickets to Aspen - with an open return,
no less!
- Like Laura's not-so-innocent inquiry
that reveals that Mr. Steele had a dash of commercial art training - and
how she grins when she's found out. I like that she just tucks that bit
of info away and doesn't press further.
- For once Laura's more excited
about the vacation than Mr. Steele. They've got airline tickets. They've
got a place to stay. She's bought the lift tickets (all done on AWFULLY
short notice!) She really looks like she can't wait to go!
- Murphy and Laura may have had
their alphabet shorthand (C&D, E&F), but Mr. Steele and Laura have
developed their own: he says Gaslight and she knows what he means.
Favorite lines
L: It seems Aspen has just received
5 inches of fresh powder over an 8-foot packed base. (words any skier loves
to hear!)
--------------
R: Your idea of a vacation is coming
back late from lunch!
--------------
Sid: A couple of months back he
came to me with an idea for a strip that was great, just great! Of course,
I had to turn it down.
L: Why?
Sid: This isn't television, Miss
Holt. We don't change our shows like dirty underwear.
--------------
R: Laura, your slap-dash approach
to this case is absolutely unfathomable!
--------------
R: Yes, well. Another missed opportunity
Miss Holt? Looks like we're never gonna get together, doesn't it? (leaves)
L: (looking at the Dave & Dollface
drawing) Don't bet on it Mr. Steele. (This line gave me SUCH HOPE when
during the series' original run. Sigh.)
Hair & Clothing
- Mr. Steele's suits, as usual, look
perfect on him
- Love Laura's ski jacket &
hat. Walking around in what appear to be the ski boot liners is a bit odd,
though!
- Love the red sweater w/the blue
turtleneck on Mr. Steele and his ski jacket brings out the blue of his
eyes.
- Mildred looks so cute in her ski
gear!
Goofs, Headscratchers & Misc
- Frances took a four-year-old Laura
to see Psycho?! From various timelines I've seen, Frances would only have
been about age 10 herself. Somehow I just can't see Abigail letting the
two of them go off to a movie together!
- For other SMK fans, the Speedy
Express guy also played Ernie, the geek who could pick certain faces out
of surveillance tapes
- I think this is the only time
we see our duo wear their seatbelts
- SueJue's lovely PAXed scene: http://krebsfiles.com/illustratedsteelescrap.html
- And with a nod to our prolific
archive-keeper, her story that's appropriate for both Aspen and Christmas:
http://steeleinlove.com/steelechristmas.html
A few notes about the skiing items
in this episode that I notice now - but didn't notice originally as I wasn't
a skier then:
- "8-foot packed base" - normally
ski resorts would report this as a 96-inch base. I think that's just 'cause
it sounds bigger!
- I'd never just throw the skis
loose in the back seat of the car and then expect the airlines to carefully
wrap them up! But I suspect it's more a visual effect than anything else.
- Unless you know somebody, getting
last-minute accommodations in Aspen is next-to-impossible. But then again,
maybe the name "Remington Steele" can open some doors that my name doesn't!
- As a beginner Mildred would NEVER
have skis that long, even in the 80s; her skis would be about as high as
her shoulder. But the comic visual effect of her with skis twice her height
is great.
|
by
MickeyBoggs |
|
--------------------------------------------------------------------------------
This is a rare episode where we
get 3 film references -- Psycho, Gaslight and How To Murder Your Wife.
I wonder what the record is in one episode? Yuliya probably has it in Counts
Of Steele on her site. What's even better is that none are tenuous -- they’re
all very appropriate and fitting.
--------------------------------------------------------------------------------
A more tenuous connection is Arte's
statement When Dick Darkside was chased by killer Dobermans and the next
day a strange dog came at me like Cujo, I didn't even get the connection.
And yes, if Laura just wanted to
sit around the lodge and enjoy the fireplace, she'd likely have plenty
of company. But if she couldn't ski, I don't see Mr. Steele spending much
time on the slopes himself. And it's not like she was in a body cast! They
could have found plenty of ways to, um, keep themselves entertained, I
think! |
by
Neneithel |
|
| I don't find Laura's
reluctance odd at all. Computers then were notoriously bad at keeping data.
I was doing computer studies at the time and our teacher continually told
us to have multiple copies of everything and it was standard practice in
most businesses at that time to have both paper and computer copies of
everything. I remember someone complaining that widespread distrust of
computers for data storage had meant that the "paperless office" that had
been predicted was further away than ever as people printed out more and
more copies to ensure nothing was lost if the computers went wrong. It
was five or ten years later that computers began to be taken seriously
by most people. |
by
edr1109 |
|
| I have just a
couple of quick thoughts on this one. It is better than I remembered it
with several twists and turns and great role reversal.
I love that Laura and Remington have
more secret talents i.e. illustration and downhill skiing. These have got
to be two of the most talented people ever. Feel free to add to the following
lists. I know I've forgotten a ton of stuff:
Laura: downhill skiing, gymnastics,
swimming, singing, running, biking, piano, golf, tennis, baseball, thwarting
Remington's advances
Remington: illustration, picking
a lock, tennis, burglary, sailing, skiing, polo, horseback riding, cooking,
gambling, keeping his libido in check
Despite the ending I really do think
Laura was planning to go through with the trip and maybe with finally giving
into Remington's advances. Two properly working ankles would not have been
required for that. But then again, Wilson suggested that Laura was pretty
wild in the sack and after waiting all this time, maybe she wanted to be
on her "A" game.
--------------------------------------------------------------------------------
Mary Beth Evans will, to me, forever
be sweet Kayla Brady from DOOL so I just laugh to see her playing a murderer.
--------------------------------------------------------------------------------
LOL. By the way she and Patch are
back on Days according to a commercial I saw recently and she looks almost
exactly the same.
Headscratcher: How on Earth did Laura
and Remington pull off suspending a grand piano from a building by themselves??
Emily
|
by
Neneithel |
|
| I wondered about
the piano too.
I agree that Laura meant to go through
with it. It was Steele who seemed nervous and likely to back out. However,
with a damaged ankle, she couldn't pretend she was there to ski and there
was no way she could let him know before they set out that she was only
going there for more romantic reasons. Laura, like Steele, always needs
a way to save face if things go wrong. |
by
everglade68 |
|
--------------------------------------------------------------------------------
It was Steele who seemed nervous
and likely to back out.
--------------------------------------------------------------------------------
Did we see the same episode?
Isabel |
by
Xenos1981 |
|
| Cheating! From
our previous discussion... (Sorry if some of it doesn't make sense now!)
Ladies, ladies, ladies. I have to
get here sooner. You've all said everything that needs to be said. TeenSteele..."That
man has some fine motor skills, which he may feel free to use on me." You
sound like me! LOL! TOTALLY agree with you!
Like everyone else...I LOVED the
walkie-talkie (almost) sex. (And there was something else you could have
substituted for the missing "kiss" at the end of Remington's attempted
seduction!)
Really enjoyed the "Dashing Dave"
and "Doll Face" thing. Very noir-ish. Cute!!!
Loved the role reversal...As I've
stated tirelessly before, I LOVE it when Laura's the aggressor in their
relationship! Yes, Remington tricked her into it, but GOOD FOR HIM!!! Love
the body language between the two when they're in the limo...a sign of
EXCELLENT acting. Turn the volume down and you can still figure out the
dynamics of the two and what's going on.
One thing that hasn't been mentioned
are the clothes. This isn't one of my favorite episodes for nice clothes,
but I have to say...Stephanie looks GREAT in red. OK, the outfit was totally
80s, but that's definitely her color. And Pierce ALWAYS looks freakin'
hot in a blue dress shirt (which normally I'm indifferent to)! It brings
out the blue in his eyes (as if he really needs to). Is it getting hot
in here?! Oh, and I loved when Laura was in her little ski bunny outfit
sitting on his desk. How cute was she?! And at the end when Remington is
leaning over her desk with his ski jacket on...WOOF!!!
I also thought the episode was shot
well...the cartoon/reality back-and-forth was a nice touch.
HUH? Moment: How a little thing like
Cindy was able to push a stone gargoyle off the roof. Yeah. OK. Suspension
of disbelief.
Good episode all around. (Sorry,
Isabel!)
AND NOW FOR A COUPLE OF NEW COMMENTS:
This is now the fourth appearance by a Days of our Lives alumni. (Patsy
"Kimberly Brady" Pease was Shari, Murphy's girlfriend in "Steele In Circulation";
John Ingle the most recent "Mickey Horton" was the convention announcer
in "Steele Sweet On You"; Wortham "Cal Winters" Krimmer was Everett Blaisdale
in "Diced Steele"; and now Mary Beth "Kayla Johnson" Evans as Cindy in
this episode...Whom I just wanted to slap silly for being such a wuss.
But then she was the killer! Whoa! Kayla!!! LOL!)
I didn't see Remington being nervous
about going away with Laura either, Helen. What scene are you talking about?
I'll need to go back and watch.
Can't say enough about how FREAKIN'
HOT Pierce looked in that ski jacket! OMG, OMG, O...M...G!!! That man could
melt that five inches of fresh powder over an eight foot packed base in
a matter of seconds!!! Good Lord!!! *fanning myself wildly*
Xenos
Mamma Mia!!! Pierce Brosnan...Proof
that God loves us and wants us to be happy!
|
by
Neneithel |
|
--------------------------------------------------------------------------------
It was Steele who seemed nervous
and likely to back out.
--------------------------------------------------------------------------------
Did we see the same episode?
Isabel
Apparently not. I'm not sure we ever
do. We so rarely agree on anything.
He seemed positively relieved at
the end, until he realised he was heading off with Mildred.
Steele is often as nervous as Laura.
Frankly, I'd like him far less if he wasn't.
Helen
|
by Neneithel |
|
| Steele actually
did some detective work to put off having to leave and then, when Laura's
ankle prevented her from going, he was practically rejoicing (until landed
with Mildred). For all his clever plotting, he hadn't really expected Laura
to go through with it.
If the ankle hadn't intervened, I
have no doubt they would have gone away together, but I bet he would have
been a bundle of nerves.
Helen |
by
picac |
|
| It's not the first
time Steele has done detective work nor is it the first or last time he
was right and Laura was wrong. Steele didn't trust Artie and he knew that
the clues were not adding up which Laura ignored when he presented them
to her. Just because Laura said he only asks her on the jaunts because
he knows she'll turn them down doesn't make it so. At no time did Steele
appear nervous that Laura had accepted him, but rather he was preoccupied
with solving a murder when she wanted to close the case. There's really
no reason for Laura still not to go with her ankle except she wouldn't
have the excuse that they went there to just ski when it's obvious that
wasn't why they were going in the first place. He's amused in the end tag
because he knew she'd find an excuse in the end for not going and less
than amused when he gets saddled with Mildred and any chance of flirting
with snow bunnies dies a quick death. :D |
by
Neneithel |
|
| By this stage,
Steele isn't interested in snow bunnies. The fact that it's obvious they're
not going for the skiing doesn't mean she doesn't need that excuse and
that is the only reason she backs out with the ankle. She was seriously
intending to go through with it. Look at the way Steele gulps when she
shows him the tickets. It's not the look of a man delighted, it's a look
of fear. |
by
picac |
|
| I don't see any
gulps or nervousness from Steele in that scene. I don't see any fear by
Steele for having sex EVER. If Laura wanted to go she'd have gone, there's
no valid excuse for her not to go. The bad ankle doesn't cut it. She could
easily sit in the ski lodge with him in front of a roaring fire and then
make love if that's what she wanted. As for snow bunnies, Steele likes
to flirt whether he carries through or not, it's delightfully part of his
nature. Being saddled with Mildred at the lodge and on the slopes is a
definite crimp in his style and Laura knows it and that's why she saddled
him with Mildred. She's a built in guard dog. She surely doesn't do it
to make Steele happy otherwise she wouldn't have sprung it on him at the
last moment and given him no choice. |
by
Neneithel |
|
| Of course she
sends Mildred to keep him in line, but she has nothing to worry about.
I must confess, I find it funny that when he flirts you find it delightful,
yet when Laura flirts, you're furious with her.
Steele is not afraid of sex, but
of his feelings for Laura. There is a lot more than sex going on between
them. He frequently tries and tries to get her to go away with him or stay
with him and then is anxious or even desperate for a way out when she goes
along with it. I haven't actually done the count, but I'd say their avoidance
of consummation is about equal.
Laura needs to be able to say she
is only going to ski, even if she knows he won't believe it. Therefore,
the ankle does prevent her from going. I am sure she would have gone otherwise. |
by picac |
|
| Well I could say
that Steele is more charming than Laura and that he also flirts more naturally
but that would not be a point grounded in right and wrong, just in personal
preference and enjoyment in watching him. ;) Actually I am not furious
when Laura flirts (and she does it with supposed old beaus and friends
at times). Flirting is natural even when in a relationship as long as it's
within bounds. But when someone sticks her tongue down another man's throat
on her honeymoon on several occasions I tend to find it in bad taste.
I've never seen Steele anxious or
desperate for her to turn him down. He's more than willing even when they're
not "together" and in the middle of being stalked by a murderer (see Blue
Blooded). Quite the opposite. Whereas I can could find a multitude of times
for Laura turning him down for a multitude of different reasons. If it's
Monday it's worry she can't keep him in line after, if it's Tuesday it
must be fear he'll leave town the day after, if it's Wed it must be losing
her independence, if it's Thur it's she needs words not deeds, if it's
Friday she's just too tired, if it's Saturday it's her ankle -- if it's
Sunday she probably hasn't shaved her legs.
That Laura would need to say that
to save face or play games rather than do what she wants --- to go away
on a vacation and make love -- would makes her a bit of a boob. If she's
too afraid to out right say that's what she wants to do then she's too
afraid to do it. She doesn't want to go, she's not ready - otherwise she'd
have gone numerous other times which she doesn't. Heck there's not even
need to go away, they both have apartments and a big office desk. |
by
Neneithel |
|
| Neither of them
is ready at this stage. It's lucky she did injure her ankle, because it
buys them both time.
The two of them are involved in a
courtship dance, one advances and the other retreats. I like it like that.
It's better than him behaving like some kind of stalker towards a woman
who isn't interested. |
by picac |
|
| Laura's interested
but she's scared (and in the beginning IMO rightfully so - just much less
so as the years went on). As a result she makes a plethora of excuses to
delay the inevitable, her mind refuses to get in sync with her heart or
libido. She lets him into her life, she wants a relationship, she's just
not ready to advance it sexually. That he's more blatantly and honestly
interested in a physical relationship and wants that sooner than she does
would not make him a stalker. To quote Pierce Brosnan, "he wanted to jump
her bones". That's perfectly healthy. Sex wasn't an all or nothing thing
for Steele as regards Laura as it seemed to be for Laura as regards Steele.
It of course meant more to him as the relationship went on, there was a
definite emotional connection, but he didn't need iron clad gaurantees,
he didn't believe that sex would demand huge changes (but hell he'd already
changed to be with her, more than she did to be with him). He wasn't as
afraid of what came next. |
by
Neneithel |
|
| I think that holds
good for the first episode, maybe the first couple, but when they kiss,
things change. Everyone always notices her confusion after the kiss but
misses the look on his face. He's scared precisely because he didn't think
at first it would be such a big deal. I would say he soon becomes more
scared than Laura, because he has far more things in his past that lead
him to be afraid of needing someone.
By the way, I don't know if you ever
got to see the songvid I did for you. It's at http://s15.photobucket.com/albums/a391/Neneithel/?action=view¤t=TheImpossibleDream.flv
|
by
picac |
|
| I think Steele
by rights should be completely scarred by his childhood and much of his
adulthood, it's Dickensian. He has every right to be completely screwed
up, to be angry, to be dark, to be scared of life and love -- but as a
character I don't think he is. When the writers give darker elements to
his life it seems more for plot points than characterization because they
rarely follow through in any depth. It's Pierce that gives more depth and
soul to the character - that lets the glimmers of darkness show as something
real and substantive under what is overall a character of so much joy,
pleasure and light in how he's played and written. But while he should
be afraid he's a bigger risk taker than Laura, his whole life as Steele
is a risk. Laura takes risks with the agency and her career but it's not
on the same scale. I think staying there for years, reshaping his entire
existence is far riskier than having sex. Physical intimacy just doesn't
seem to be a big roadblock to him, it's part of a what's a much bigger
package -- it's not the line in the sand that defines before and after
as it does for Laura. Yes it would mean more the longer he stayed and was
with her but he didn't need gauruntees or to make gauruntees to want and
pursue physical intimacy.
Thank you so much. I haven't seen
it and I'll go and download it now. :) |
by
Neneithel |
|
| I agree that the
actual sex is not as big a deal for him as for Laura, at least in his estimation,
but I also think he's aware that after he has slept with her, he will find
it far harder to walk away and he is afraid of what else may happen between
them as part of the whole package. His reluctance to say "I love you" is
part of that. He knows that, this time, he would mean it and the sex would
be more than mere physical interaction.
I think Steele was written as a pretty
dark character, but Pierce definitely brought out that side of him a lot
more. No lesser actor could have done such a good job.
|
by
edr1109 |
|
| I totally saw
that nervousness from him too. Panic almost. |
by
Xenos1981 |
|
OK, Helen and
Emily. I'm totally confused. I watched the end scene again. I see Remington
excited that he's FINALLY gonna get to go on vacation with Laura (and looking
unbelievably HOT in his ski jacket)...I see Laura backing out...I see Remington
disappointed (and looking unbelievably HOT in his ski jacket)...I see Laura
torturing Remington (who looks unbelievably HOT in his ski jacket) by having
Mildred join him instead of her...I see Remington flustered and pissed
(and looking unbelievably HOT in his ski jacket) that he's going with Mildred.
Where is he nervous about going away with Laura? Help!
A confused Xenos
Mamma Mia!!! Pierce Brosnan...Proof
that God loves us and wants us to be happy! |
by
Neneithel |
|
| Look at the scene
in the car where Laura shows him the tickets. Look at his face (always
an easy assignment, eh?). He looks like a man about to go to the dentist
or to an execution. I notice, because he always looks so adorable when
he's scared. |
by
dtalley |
|
At no point do
I see him looking scared about going away with Laura. He seems surprised
that his
ploy is working, but I don't see
him looking scared about it. I see him playing a game with Laura,
acting a bit uninterested because
he's sure she'll back out. He knows how she loves a challenge.
I just see his behavior as a challenge.
Debra |
by
Neneithel |
|
| Yes, in the office,
it's the same thing. It's definitely fear. |
by
judithmoose-2 |
|
| The only time
I've observed him having anything remotely resembling emotional fear when
it came to Laura was when they were locked in the casket during "Dreams
of Steele" when he was hesitating about asking her if she'd ever had dreams
about their relationship. (I've left "Steele of Approval" out on purpose)
Believe me, if he had thought that he was really, truly going to get to
"cross that line, turn that corner, and take advantage of all of the other
euphamisms for going to bed with someone" he would have picked her up and
carried her out of her office. No, that look of his was the bitter disappointment
of knowing that he'd be living as a monk for quite a while longer and that
she'd sent Mildred as his watchdog. Remember Mildred's reaction to the
possibility of him flirting with another woman in "Steele Eligible" ("Nothing's
getting sampled tonight except the duck."). So by her going along, he knew
that not only would he not being enjoying Laura's company, but no one else's
either even if he had wanted to. |
by
Neneithel |
|
| I still say his
look in the car is a look of fear. I've watched it many times, trying to
see how it could be anything else and it just isn't. |
by
judithmoose-2 |
|
| Well, I've got
the script sitting here and the look calls for one of dread. If Pierce
did something other than that then you're obviously the only person in
the "Steele" world who saw it. |
by
Neneithel |
|
| Dread is a synonym
for fear, so it looks like I'm right, doesn't it? |
by
TeenSteele |
|
| Okay, I too am
cheating, and am reposting my review. Interestingly enough, this was apparently
my first SOTW ever, and re-reading it, you can clearly tell that it was
heh heh...
--------------------------------------------------------------------------------
Well, it's a neat intro, but we
can HEAR Arte braking when he's riding down Malibu Canyon. And really,
who on earth has THAT many files?! Typical Steele behaviour, tells Mildred
not to disturb him when he's merely reading comics. Seriously, who laughs
out loud, THAT loud, when reading newspaper comics? They must have really
been funny because Mr.Steele has good taste, and most newspaper comics
aren't that good.!
Orphan Annie eyes lol! and dashing
dave? more like stupendous steele with his "steeley blue eyes" *sigh* so
true, you can say that again. Aww, Laura was Junior Downhill Champ when
she was 10. And I LOVE Remy's Rayban glasses. I went out and got myself
a pair after I saw him wear them for the first time :)
"We're here to see Raymond Kelly,
not Norman Bates" Hehe, I liked that quote, very cute and Steeley.
I really loved how Laura showed she
was a step ahead of him by handing him (with a smirky face) the "open return"
tickets
"Dashing Dave to Dollface. Come in
Dollface" Oh my gosh! I loved the walkie talkie scene! "..Big warm *ACHOO*...handkerchief"
That's pretty much the closest thing to phone sex we'll ever get between
them lol.
Arte sure is nice for being a murderer.
What with drawing his detectives a picture of them all while taking time
out of his busy killing schedule to do so. Also, he should consider a career
in acting! I mean did we not see him fake cry not once, but TWICE! First
time after the "accident" when he kills Ray, then the second time at Ray's
funeral.
Those were UBER good drawings that
Remy did to give to Arte. That man has some fine motor skills, which he
may feel free to use on me. Also, even though I knew it was coming, that
'Pyscho' scene on the stairs still made me jump lol, but I WAS sitting
in the dark...
All in all, I do enjoy watching this
episode occasionally. Perhaps though, the reason is because I really do
have a soft spot for all things cartoon, or uh, "graphic novel" I should
say. Nice R/L interaction, but not very much of it :(
--------------------------------------------------------------------------------
I can't believe I wrote that when
I was "almost 17 years old" because now, I'm almost 18 years old! Dang,
time flies when you have Steele.
Oh, and looking back, I'd like to
think that my critique writing has improved a lot since I was 16... I used
a lot of very very teenage phrases in there.
"Who watches the watchmen?"
03.06.09 |
by
everglade68 |
|
Almost 18 yrs.
old, TeenSteele, you are right time passes quickly. I know
you are now older and wiser, so
where is the post for this week's SOTW?
Have a great year, enjoy these last
teen yrs.
Isabel |
by
TeenSteele |
|
Scary isn't it?
roughly 60 days until I hit the big one-eight.
Can't believe I've been posting
here for so long!!!
"Who watches the watchmen?"
03.06.09 |
|