UK Esquire
December 2002
"Everybody wants to be Bond," says Pierce
Brosnan. But after four films, could it be that the most bankable
007 ever, has had enough of Martinis, gadget cars, beautiful women and
saving the world?
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PIERCE BROSNAN IS HAVING his hair
cut when Esquire rolls up. Though I hadn't exactly expected him
to be wearing a tuxedo, neither had I expected him to be beach-dude cool
in white shorts and a sun-bleached blue Polo Ralph Lauren polo shirt, having
just come from his house in Malibu. To say he looks good for his
age would be to make a huge understatement.
He laughs: "If I do another Bond,
I'll try not to do a movie in Ireland before it. (Pierce has just been
in Ireland, acting in and producing the heartstring- tugging drama Evelyn
for his own production company, Irish DreamTime.) "I love the pubs and,
being Irish, one does not shy away from a Guinness or two I had a trainer,
but trying to train, produce a film that you're in and then prepare for
a Bond movie I thought. Fuck it. Enjoy the Guinness.' Training's
a pain in the ass, but you have to keep up. have some discipline as an
actor if you're going to stay in the game in your fifties "
The books place James Bond somewhere
in his late thirties, but Pierce is still going strong in his fourth Bond
role at 49. On closer examination, there is a slight greying of his
dark hair around the temples, his three-day stubble is more salt than pepper,
and he does have some subtle laughter lines, though they're more like striations
in granite. |
And it's easy to forgive him the
catalogue-man good looks because he is able to take the piss out of himself.
When asked if Die Another Day will be his last Bond Film, he laughs
and with humorous concern bellows, 'Christ' I hope not. I've just bought
another house'" Later he elaborates, saying, "It would be nice to do a
sixth - Connery did six. There's a certain... air about that."
I ask if he knew what he was letting
himself in for when he signed on the dotted line and became part of the
Bond machine.
"I knew life was going to change,
I'd seen the machine work for other people. I'd seen Connery's career
during Bond and after. I watched Lazenby come and go. I saw Roger stand
there for seven films.... So I had a fair idea of what I was stepping
into and I thought it was a win-win situation If I made a go of playing
Bond, it would allow me to have a commercial side to my career, to do business
as an actor and make a life which had some integrity. I also knew it would
have its pitfalls."
But playing Bond is a bit of a double-edged
sword, isn't it?
"Yeah, you really are dicing with
death, because if you do it and do it well they want you to keep doing
it. I love playing the role, it's been the most fantastic six or seven
years, but there is that danger that that's all you will be seen as."
And the baggage that goes with Bond
seems to get heavier and heavier as Bond becomes bigger and bigger business.
"There was no question of turning
it down. I had no bloody choice. But as much as I was prepared to enter
into this world, which is unlike any other character any actor will ever
play, the commercial aspects and the circus aspect of the promotional ingredients
was quite overwhelming."
Well, yes Aston Martin, Omega watches,
Brioni suits, the list of products gets longer in every film. Not surprising,
really, since the sophisticated milieu that Bond inhabits makes the perfect
marketplace.
"I think there's far more product
placement now than there ever was in the Sixties," Pierce continues. "But
Cubby Broccoli was an entrepreneur, and he knew what he had on his hands,
especially as he got round to Goldfinger and further I mean, there
were the Corgi cars and the toys. But now, when you go onto a set playing
the character of Bond you just have to be bloody quick on your feet and
make sure you don't touch too many named products. They're selling phones,
they're selling razors, they're selling water, they're selling the shit
out of everything, and you can be caught in the crossfire."
And you are, by the looks of things;
open any glossy magazine at the moment and there you are, advertising Omega
watches.
"Well, I like their product - we
made peace with each other after Goldeneye. Suddenly, I was
on every billboard on Sunset [Boulevard] and across the States! We had
to... er come to the table and sort out some numbers and figures. I've
learned a lot in the last seven years about how to protect myself against
exploitation, but it's been a good ride"
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Pierce
moved to the States in 1980, after it became clear that, by staying in
London, he was "either going to end up playing Paddies or Yanks " [His
cinematic debut was in The Long Good Friday as an IRA terrorist.]
"The opportunity was a golden one am downside of coming to this crazy city
called L.A. was overshadowed by the potential it had for building choices,
building a career which had some flexibility"
In the end, it gave him Remington
Steele, a five year running TV detective series that he describes now
as "like doing weekly rep, except for better money". But it wasn't always
this way. |
By his early twenties he was already
achieving some success in English theatre, having been chosen by Tennessee
Williams for the lead in his play I "That was huge at the age of 23.
To be working with America's finest living playwright and for him to write
some scenes on his hotel notepaper and give them to you the next morning
was outstanding "
So what was Williams like' "Charming
and warm and Southern. It didn't take much to get him drunk, half
his liver was gone by the time I met him. I remember him getting locked
in [London theatre] the Roundhouse one night. He sent me a telegram
saying, "Thank God for you, dear boy", which was pretty good affirmation
at that time in your career - you sometimes wonder if you're any good at
the game. You can talk up a great storm in the director's office or at
a party with your buddies, but shit, when the chips are down and you have
to get up there and do it... That kind of sorts the folks out."
Film director Franco Zeffirelli saw
him in Williams's play and cast him in Filumena "It's stepping stones,
isn't it?'" Brosnan says, 'and then, coming to LA it was Remington Steele.
I would have preferred it to be Martin Scorsese, but you look a certain
way and you think, 'Fuck, let's do it. What am I going to do? Scrub
around regional theatre and make a living?' I got away with it, too, an
Irishman playing an Englishman playing an American... I was basically playing
myself."
Remington Steele provided
Pierce with a regular income, but it also proved to be an albatross around
his neck it was to prevent him from playing Bond for eight years.
He first met the Bond produce, Cubby Broccoli, through his late wife, the
actress Cassandra Harris, who was in Corfu playing Countess Lisl von Schlaf
alongside Roger Moore in 1981's
For Your Eyes Only." It was a very
relaxed affair, and he was very gracious to me and the children. In '86
I remember meeting him in a casino and being very impressed. The Living
Daylights was on my bedside table for weeks. I had a screen test.
I did the wardrobe- fittings. I even did a photo shoot at Pinewood Studios
standing next to Cubby and his Rolls Royce - Jesus! I looked like
some skinny lad with a lot of hair on his head."
However, there was a 60-day clause
written into Pierce's contract for
Remington Steele. The negotiations
lasted right up to the 60th day. "My late wife and I had rented a house
in the Colony [an exclusive beachside area of Malibu] and we were living
the good life. We'd already made plans to relocate the children to
go to school in England, we were thinking of a nice place in the country.
I was going to be Bond. It was 6:30 in the evening, the Champagne
corks were popping and we were out on the balcony. The phone rang
and my agent said, "It's all fallen apart - they want to do the the six
episodes and the option of another 22.' I put the phone down and
slugged back a couple of mouthfuls of Dom Perignon and walked back to her
on the deck saying. 'It's off, it's over, it ain't gonna happen.'
This was Thursday evening, and by Monday. Tim [Dalton] was on board with
The
Living Daylights and I was looking for a job."
| "Suddenly things weren't
looking too good - you've got the rent to pay on a house in the Colony.
I did the six episodes of Remington Steele and then NBC cancelled
the show. People thought I wasn't going to come out of my trailor
or, if I did, it would be with a bottle of whisky in my hand, but
that's not my style - it just makes everybody's life miserable You just
take it on the chin and get on with it, it was business, that's all.
It's always a struggle. No matter if you've got an Oscar in your back pocket,
you're always up against the buck of commerce."
Eight years later, in 1994, the phone
rang again. This time he was on for Goldeneye. "I had
nothing to lose," he says. "I was fearless. Cold and determined."
Rather like Bond himself. And he admits there was a "quite a bit
of irony" that Bond should come into his life at that time. 1994 saw him
"in dire need of money" and he was thinking about selling his house. "I'd
already had a very articulate trying to figure out how I could make a living
for myself. I told my agents. 'Forget about the leading-man
aspect of things -- maybe all that is past now, let's try and find
interesting material, supporting roles in feature films.'"
Brosnan has since gone on to star
in Tomorrow Never Dies, The World Is Not Enough and now Die Another
Day. "They're a different beast from when Moore and Sean did them,"
he says, "a seven month shoot as opposed to a 12-week shoot."
And they're technically better films.
"They had to be, to catch up with movies like The Matrix. True
Lies was on it's coat tails, Mike Meyers is still out there strutting
his stuff. Eddie Murphy's doing his Bond. I Spy. Everybody
wants to be Bond."
|
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So Bond's got more relevance now? "In
the Eighties it had lost it's way. Yeah. Right now there are secrets
- it's about the world of espionage - what this country knows and what
it has. I think there's a very strong relevance."
This time the enemy is North Korea
in a script that was definitely pre 9/11. As the film opens we see
Bond in a position of weakness, having grown long hair and a beard after
being held prisoner. Bond in a beard?
| "Yeah," laughs Brosnan.
"You have to have pretty broad shoulders to wear a beard and hair like
that in a Bond movie."
Well, you got off quite lightly,
considering that Roger Moore had to wear a clown suit in Octopussy.
"Yeah -oooh. [He winces, laughing]
Er, I have my own inimitable style, which will be parodied and ridiculed.
I'm sure. That's par for the course, I suppose."
Is he sure? He has traces of Moore's
humour, Dalton's coldness and Connery's toughness...
"Yeah- I've pinched from the lot
of them!"
If you were in the business of casting
the next Bond, are there any younger actors you'd have your eye on?'"
"Oh, I dunno... Paul Bettany?
A blonde Bond?'
"Roger was blonde, wasn't he?
I don't know who's going to fill the shoes. I was terrified. It's
wild even thinking about it, it goes very quickly, once you jump
on the bus it moves like greased lightning. Whoever's gonna do it after
me will have Connery, Lazenby, Moore, Dalton and Brosnan -- five guys!"
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Just as Spitting Image's Leonard
Nimoy would solemnly intone, 'I am not Spock', Brosnan is battling, astutely,
not to get labelled "Bond". He has played some comedy -- Mrs Doubtfire.
Mars Attacks! - but often he's merely been playing against his role
as the suave man of action. "Well, that's the thing to do, set yourself
up with the banana skin and the door..." A bit like Cary Grant?
"Yeah - that's exactly it. Literally tomorrow we're sitting down
to look at a film about a con man who's good-looking but stupid -- it's
an endearing combination."
"We" is Irish DreamTime, the production
company he set up with producer Beau St. Clair in 1998. Their most successful
venture to date was The Thomas Crown Affair, with MGM/United Artists.
Soon to be released is
Evelyn, starring Alan Bates, Aidan Quinn,
Stephen Rea and Brosnan as an Irish single dad in the Fifties trying to
keep his family together amid pressure from church and state. So
is having his own production company a way of getting those parts he failed
to get when he first came to LA as a classically trained stage actor?
'Yeah - probably. It emotional
work which I haven't been offered and because I haven't been offered it,
I believed I couldn't do it, and because I believed I couldn't do it I
didn't try for it. So it was great to do Evelyn I think
if people can go and see it and not think of Bond, then that's a great
foundation for the next few years."
Brosnan moved to LA at the start
of the Eighties. He has always been a family man, and has been in
a stable relationship for most of his adult Iife. He adopted Cassandra's
two children, Christopher and Charlotte, after their father died in 1986,
and they had another son, Sean. Harris died of ovarian cancer in
1991. Now, with his second wife. Keely Shaye Smith, who he married
in 2001, he has had two more sons, Dylan Thomas and Paris Beckett. "Being
a father throughout all this has been the most joyous balance and it's
a strong essence of who I am. I've seen the game in this town of going
out and doing the clubs and the parties, and it's just... old. It
was when I was in my twenties..."
And you know what? He doesn't
look half bad for his age.
"There
was no question of turning Bond down. I had no
bloody
choice. But the circus aspect of the promotional ingredients was quite
overwhelming" |
Brosnan
Saves the World Really
1991
When his wife Cassandra Harris dies of ovarian cancer. Brosnan becomes
involved in the National Women's Cancer Research Alliance (NWCRA).
1994
Heads first Revlon Run/Walk for NWCRA which has raised S60 million
1996
Refuses to attend Paris premiere of Goldeneye because of the French government's
nuclear testing.
1997
Presented with Green Cross International's Environmental Leadership
Award by its president, Mikhail Gorbachev.
1999-2000
Heavily involved in boycott against Japanese manufacturer Mitsubishi for
its part in the planned creation of a salt production complex in San Ignacio,
Mexico, which would have destroyed the grey whales breeding ground Mitsubishi
backs down.
2001
Campaigns against low-frequency sonar currently being developed by the
US Navy, which is alleged to interfere with the navigation of certain species
of whales, causing them to beach.
2001
Much of the money paid by Hello for pictures of his wedding to Keely Shaye
Smith goes to a centre for Tibetan refugees
2002
Brosnan serves as Campaign Chairman for the Entertainment Industry Foundation,
which raised and distributed $45 million last year. |
Pierce Brosnan,
a life
1953Born
16 May, Haven. Co. Meath. Ireland
Parents separate shortly afterwards.
Pierce is brought up by his extended family
1964Moves
to England Is reunited
with his mother, a nurse. Educated at Elliot Comprehensive in Putney, south-west
London
1968Works
as a commercial artist
1973-6
Trains at the Drama Centre in London
1976
'The Red Devil Battery Sign' Tennessee
Williams chooses him for role in his new play
1977
Meets Cassandra Harris
1980
'The Long Good Friday' First
big-screen rote, as an IRA terrorist He then relocates to Hollywood.
Marries Cassandra.
1981
The Bond campaign begins Meets
Bond producer Albert 'Cubby' Broccoli when Cassandra appears in For
Your Eyes Only |
1982
Cast in 'Remington Steele' This US TV detective show runs for five
years
1983 Sean Brosnan born
1986 Chosen as the new Bond But
Brosnan is contractually obliged to stay with Remington Seele. Timothy
Dalton lands role instead
1987 'The Fourth Protocol' Plays
undercover KGB agent up to no good in England
1991 Cassandra Harris dies of cancer
Brosnan
has already adopted her children. Christopher and Charlotte
1993 'Mrs. Doubtfire' Plays smoothy
boyfriend to Robin Williams's drag act
1995 'GoldenEye' Cast as Bond again
- and this time there's nothing to stop him The film is a phenomenal success
1996 Irish DreamTime created Brosnan
forms his own production company with Beau St Clair. Also stars in Mars
Attacks
1997 'Tomorrow Never Dies' Second
Bond film. Son Dylan Thomas Brosnan bom to girlfriend Keely Shaye Smith
1998 'The Nephew' Irish DreamTime's
first production
1999 'The World is Not Enough' Also
Stars in a remake of The Thomas Crown Affair. IDT s most succesful
productio to date
2001 Marries Keely Shaye Smith Son
Paris Beckett born. Stars in The Tailor of Panama
2002 'Die Another Day' Also stars
in IDT production Evelyn |
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Words: Bill Dunn
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Photographs: Lorenzo Agius
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